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Approved by Faculty Senate University Studies Course Proposal: Arts And Sciences Core HUMANITIES: ART 224 American Art Requirements and learning activities that promote students' abilities to A. Identify and understand specific elements and assumptions of Art History as a Humanistic discipline: ART 224 is a broad survey of the visual arts of the United States, from their modest beginnings in the colonial and revolutionary eras through the Great Depression. It is intended for the general student, but may be used as an elective for the Art Major and is required for the Art History Minor. The class provides a knowledge base in the History of American Art fostering an understanding of
Performance in examinations determine the degree to which students have been able to understand this fundamental basis for the study of art in America. B. Understand how historical context, cultural values, and gender influence perceptions and interpretations: Students learn via lectures, videos, and their reading assignments, of the means by which these factors fundamentally affect the creation of art in the United States: how the visual arts serve as both individual and cultural expression informed by religious, political, social, and economic conditions, as well as artistic traditions; how the American artist perceives and processes his/her world at a given time and region of the country; the circumstances of patronage and audience response, of politics, art politics, and economics; the social purposes of a given work; the intentions of the artist; the impact of prevailing and changing art theories, etc.
ART 224 American Art Syllabus This course fulfills 3 credits of the Arts and Sciences Core Requirement in the Humanities area of the University Studies Program. COURSE OBJECTIVES AND CONTENT
Performance in examinations determine the degree to which students have been able to understand this fundamental basis for the study of art in America. b. Understand how historical context, cultural values, and gender influence perceptions and interpretations of the world and human experience: Students learn via lectures, videos, and their reading assignments, of the means by which these factors fundamentally affect the creation of art in the United States: how the visual arts serve as both individual and cultural expression informed by religious, political, social, and economic conditions, as well as artistic traditions; how the American artist perceives and processes his/her world at a given time and region of the country; the circumstances of patronage and audience response, of politics, art politics, and economics; the social purposes of a given work; the intentions of the artist; the impact of prevailing and changing art theories, etc.
COURSE FORMAT Lectures, discussion, and videos
TEXT Wayne Craven, American Art: History and Culture REQUIREMENTS Two one-hour exams, a short paper, and a one-hour final that is not cumulative.
Exams (Purchase a Scan-Tron form 882 for each exam) Sample exam questions are attached, p. 4. All questions are in the multiple choice format. They consist of: A. Questions keyed to slides of works of art. They involve:
NO MAKE-UPS GIVEN. If you have a legitimate reason for missing an exam, I may excuse you from the test, but this means your other marks will be weighted more heavily (see "Grading"). SHORT PAPER Concerns an historic or period-style building or residence in the Winona area (or elsewhere), two-three pages; more information later. GRADING Exam I is worth 20%, Exam II and Final are each worth 25%; the Paper 20%; and attendance 10%.
ATTENDANCE Roll will be taken each class day. Attendance grades will be given as follows:
A: 0-2 absences B: 3 C: 4 D: 5 F: 6+ COURSE SCHEDULE (Approximate) The topics that follow embrace those activities and requirements, as stated on page 1, expected of Humanities courses in the University Studies Program. Such activities and requirements promote the abilities of ART 224 students to
*The Decorative Arts and Photography will not be covered. Omit that material from the assigned chapters. Be sure to consult the glossary, pp. 641-45, for definitions of technical and style terms. Do not fail to examine (and understand) the architectural plans and the illustrations when they are referred to in the text. Week Chapters* 1-3 Before the Revolution (1600s-1780) The Colonial Era Architecture, 1600s-1750 1, 2 (omit 35-39) 4 (omit 60-65) Painting (Northeast), 1670s-1780 3 (omit 46-51) 5 (omit 74-78) 7 (omit 102-04) Architecture (Eastern Seaboard), 1750-1780 6 (omit 86-89) 4-5 After the Revolution (1780s-1830) The Federal Period Architecture 8 Painting 10 Sculpture 12 EXAM I (date to be announced) 6-8 The Romantic Period (1830-1870) The Age of Jackson through the Civil War Architecture 13 Painting 15 16 (omit 230-36) Sculpture 18 9-11 The Post Civil War Era (1870-1900) The "American Renaissance" or The Gilded Age Architecture 20 Painting 23 24 (omit 354-62) Sculpture 26 (omit 255-60) EXAM II (date to be announced) [Papers Due, Nov. 11]
12-13 The Late 19th Century cont.
A New Spirit in Architecture Technology and Skyscrapers 21 14-16 The Early Modern Period (1900-1940)
The Progressive Era through the Great Depression Architecture 27 Painting 29, 30 Sculpture pp. 487-93
FINAL EXAM
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