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Approved by Faculty Senate.
University Studies
Course Proposal - Fine and Performing Arts
Department: Theatre and Dance
Course Number: THAD 205
Number of Credits: 1
Course Title: Makeup for the
Performer
Catalog Description: In depth study
of the design and execution of traditional and nontraditional theatrical make
up for the performer. Each student must purchase a personal theatrical makeup
kit to instructors specifications. Students will be expected to attend
performances outside of normal class time. Concurrent registration in THAD 090
required of all Theatre majors and minors and Dance minors. Offered yearly.
Grade only
This is an existing course that has
previously been approved by A2C2.
Department contact person for this
course: Win Lewis
E-mail: wlewis@winona.edu
The proposed course is designed to
satisfy the requirement in: Fine and Performing Arts
a. explore the language, skills, and
materials of an artistic discipline;
Through a series of exercises and project supported by readings,
demonstration, and videos students will learn the materials, techniques and
practices used in the design and execution of makeup.
b. use the methods of an arts
practitioner to actively engage in creative processes or interpretive
performances;
Through the course of the semester the students will execute makeup designs on
themselves or on a classmate. Each project will build on the previous
project's techniques. The final project will be a makeup design for a
character from a play chosen from a list provided by the instructor. The
students will be expected to do a character analysis, the research necessary
to understand the character's cultural and possible physical attributes and
then to create a design that will aid a performer in bringing this character
to live.
c. understand the cultural and gender
contexts of artistic expression;
Through character research and the creation of a makeup "Morgue"
students will learn about the many possibilities that can be found in the
human face. They will learn how to create a "mask" of make up that
combined with character analysis may be used to create a character different
from themselves. These differences can include but are not limited to age,
social status, cultural differences, gender differences, and other factors
that combine to create the varied characters, real or unreal, that appear on
stage
d. engage in reflective analysis of their
own art work or interpretive performance and respond to the works of others.
The students are expected to attend a minimum of two productions outside of
normal class time. They are then expected to write a critique on the makeup
used in both of these productions based on what has been discussed in class
and covered in their text. The students will keep a journal that will contain
all of the research used for each project, the makeup sheet used to execute
each design, the written character analysis when called for and a post project
analysis of their work based on feedback from the instructor.
Texts:
Corson, Richard. Stage Make Up. 9th ed.
WSU-THAD Production Hand Book
2000-2002 (provided by Instructor)
Course Objectives
To Explore the human face.
To Learn about some of the different makeup materials available to the
performer.
To Experiment with both 2D and 3D makeup Techniques.
To Practice different make-up Techniques on yourself and others.
To Develop proper research techniques needed to create makeup designs.
To Learn to evaluate the makeup used in realized productions
Required Materials:
Student Theatrical Make-up Kit
One Hank of Crepe Hair
Comb with both narrow and wide teeth
Box of Facial Tissues (Label with Name)
Smock or Old Button Down Shirt
Scissors
Facial Cleaner
Suggested Materials:
Soap in Soap Box
Towel
Razor and Shaving Cream
Mascara (Black or Brown or both)
Hand Mirror
Powder Puff
Baby Powder
Powder Brush
Assignments and Evaluation: (Assignment
Pages still under Construction)
| What |
Name |
% |
Points |
Criteria
|
| Assignment |
Charcoal & Chalk
on Grey Paper |
2.5% |
25 |
(a)
|
| Assignment |
Written face analysis |
2.5% |
25 |
(a,d)
|
| Project 1 |
Corrective Makeup |
7.5% |
75 |
(a,b,d)
|
| Project 2 |
Old Age Makeup |
7.5% |
75 |
(a,b,d)
|
| Project 3 |
Old Age Makeup on
Partner |
10% |
100 |
(a,b,c,d)
|
| Project 4 |
Animal Makeup |
7.5% |
75 |
(a,b,d)
|
| Project 5 |
Fantasy Makeup |
7.5% |
75 |
(a,b,d)
|
| Project 6 |
Likeness Makeup |
10% |
100 |
(a,b,c,d)
|
| Final Project |
Play Character Makeup |
12.5% |
125 |
(a,b,c,d)
|
| Assignments |
One Page Evaluations
(2) |
5%ea |
100 |
(d)
|
| Assignment |
Makeup Morgue |
5% |
50 |
(c)
|
| Journal |
Due on Request |
10% |
100 |
(d)
|
| Final |
Take Home Final |
7.5% |
75 |
(a)
|
| Total |
|
100% |
1000 |
|
Assignment Due Dates:
All assignments for this class have specific due dates. I expect all assignments
on the assigned day. I will not accept assignments past the due date. If the
assignment is not finished please turn in what you have. All written assignments
must be typed (all computer users : the font may be no larger than 12 Point, the
margins no larger then one (1) inch and please spell check. )
Class Attendance:
Attendance for this class is mandatory.
This is a hands on course with many weekly projects
There are NO UNEXCUSED ABSENCES permitted in this class.
Any missed projects must be made up with a grading penalty applied.
Bibliography:
Buchman, Herman. Stage Makeup. New York: Watson-Guptill, 1989.
Corson, Richard. Stage Makeup. Englewood Cliffs, NJ: Prentice Hall, 1990.
Ingham, Rosemary. From Page to Stage; How Theatre Designers Make Connections
Between Scripts and Images. Portsmouth, NH: Heinemann, 1998.
Smith, Dick. Dick Smith's Do-It-Yourself Monster Make-Up. Charlotte, SC:
Morris Costumes Inc., 1985.
Swinfield, Rosemarie. Period Make-up for the Stage. Cincinnati: Betterway
Books, 1997.
Swinfield, Rosemarie. Stage Makeup Step-by-Step. Cincinnati: Betterway
Books, 1994.
Any student who, because of a disabling condition, may require some special
arrangements in order to meet course requirements should contact the
instructor as soon as possible to make necessary accommodations.
|
This Calendar is subject to change
based on the needs of the class. Significant changes will be
announced in class.
If a student has any questions concerning the calendar please ask.
Exam date will remain the same.
|
| Day |
Subject |
Text |
Assignment |
Notes |
Work |
Criteria |
| WK-1 |
Introduction |
6-18 |
. |
|
Video |
(a) |
| WK-2 |
Demonstration |
1-5 |
Exploration |
1st
application of makeup |
Drawing
of Illuminated Objects |
(a,b) |
| WK-3 |
Line/Shadow
Techniques |
69-134 |
Exploration |
Page 71
of Text |
Face
paper |
(a,b,d) |
| WK-4 |
Corrective
Makeup |
46-64 |
Project
1 |
Makeup
Plot Due |
|
(a,b,d) |
| WK-5 |
Demonstration of
Old Age Makeup
|
65-68 |
Exploration |
Change
features line/shadow |
|
(a,b) |
| WK-6 |
Waxes
& Putties |
|
Exploration |
Building
up features |
|
(a,b) |
| WK-7 |
3D
Texture Techniques |
146-171 |
Exploration |
Latex
& Spirit Gum |
|
(a,b) |
| WK-8 |
Old
Age Makeup |
27-37 |
Project
2 |
Makeup
Plot Due |
Old Age Research |
(a,b,d) |
| WK-9 |
Old Age Makeup on Partner |
|
Project
3 |
Makeup
Plot Due |
Analysis of
partner's face |
(a,b,c,d) |
| WK-10 |
Beards/Mustaches/Side
Burns |
205-222 |
Exploration |
Build
a beard or mustache |
|
(a,b) |
| WK-11 |
Animal
Project |
263-274 |
Project
4 |
Makeup
Plot Due |
Research
on Animal |
(a,b,d) |
| WK-13 |
Fantasy
Project |
.263-274 |
Project
5 |
Makeup
Plot Due |
Character
Analysis/
Research |
(a,b,d) |
| WK-14 |
Likeness
Project |
249-262 |
Project
6 |
Makeup
Plot Due |
Photo/Drawing
of Person |
(a,b,c,d) |
| WK-15 |
Final
Project |
19-26 |
Project
7 |
Makeup
Plot Due |
Character
Analysis/
Research |
(a,b,c,d) |
© E.M.Lewis IV, 11/01
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