Approved by Faculty Senate March 17, 2003
WINONA STATE UNIVERSITY
PROPOSAL FOR NEW COURSES
Department _Theatre and Dance_____________________________
Date ____2/5/2003____________
______THAD 253________
____JAZZ DANCE II
___________________
____2________
Course No.
Course Name
Credits
This proposal is for a(n)
___X__ Undergraduate Course
______ Graduate Course
Applies to:
______ Major
___X__ Minor
___X__ University Studies*
_____ Required
__X__ Required
_____ Elective
_____ Elective
Prerequisites
_______THAD 153 Jazz Dance I or permission of instructor
_________________
Grading method ______
Grade only
______ P/NC only
___X__ Grade and P/NC Option
Frequency of offering __spring
semester (1x/year)___
*For University Studies Program course approval, the form Proposal
for University Studies Courses must also be completed and submitted according to
the instructions on that form.
Provide the following information (attach materials to this
proposal):
A.
Course Description
1. Catalog
description.
2. Course outline of
the major topics and subtopics (minimum of two-level outline).
3. Basic
instructional plan and methods.
4. Course
requirements (papers, lab work, projects, etc.) and means of evaluation.
5. Course materials
(textbook(s), articles, etc.).
6. List of
references.
B.
Rationale
1. Statement of the
major focus and objectives of the course.
2. Specify how this
new course contributes to the departmental curriculum.
3. Indicate any
course(s) which may be dropped if this course is approved.
C.
Impact of this Course on other Departments, Programs, Majors, or Minors
1. Does this course
increase or decrease the total credits required by a major or minor of any other
department? If so, which department(s)?
2. List the
departments, if any, which have been consulted about this proposal.
D.
University Studies Course Proposals
The form Proposal for University Studies Course
must also be completed and submitted according to the instructions on that form.
Attach a Financial and Staffing Data Sheet.
Attach an Approval Form.
Department Contact Person for this Proposal:
___Gretchen Cohenour
_________________
___457-5665__
___gcohenour@winona.edu_____
Name (please print)
Phone
e-mail address
WINONA STATE UNIVERSITY
PROPOSAL FOR UNIVERSITY STUDIES COURSES
Department __Theatre and Dance___________________________
Date ___2/5/2003_______
____THAD 253_________
_____JAZZ DANCE II________________________
___2_________
Course No.
Course Name
Credits
This proposal is for a(n)
___X__ Undergraduate Course
Applies to: ______ Major
___X__ Minor
_____ Required
__X__ Required
_____ Elective
_____ Elective
University Studies (A course may be approved to satisfy only one set of outcomes.):
Course Requirements:
Basic Skills:
Arts & Science Core:
Unity and Diversity:
_____ 1. College Reading and Writing
_____ 1. Humanities
_____ 1. Critical Analysis
_____ 2. Oral Communication
_____ 2. Natural Science
_____ 2. Science and Social Policy
_____ 3. Mathematics
_____ 3. Social Science
_____ 3. a. Global Perspectives
_____ 4. Physical Development & Wellness
__X__ 4. Fine & Performing Arts
_____ b.
Multicultural Perspectives
_____ 4. a. Contemporary Citizenship
_____ b. Democratic
Institutions
Flagged Courses:
_____ 1. Writing
_____ 2. Oral Communication
_____ 3. a. Mathematics/Statistics
_____ b. Critical
Analysis
Prerequisites ______THAD 153 Jazz Dance I or permission of instructor
Provide the following information (attach materials to this
proposal):
Please see Directions for the Department on previous page for material
to be submitted.
Attach a University Studies Approval Form.
Department Contact Person for this Proposal:
__Gretchen Cohenour___________________
__457-5665__
gcohenour@winona.edu________
Name (please print)
Phone
e-mail address
WINONA STATE UNIVERSITY
PROPOSAL FOR UNIVERSITY STUDIES COURSE
DEPARTMENT: THEATER AND DANCE DATE: JANUARY 31, 2003
COURSE NUMBER: THAD 253
COURSE TITLE: JAZZ II
NUMBER OF CREDITS: 2
CATALOGUE DESCRIPTION: A continuation
of Jazz Dance I with more extensive techniques, terminology, history and music,
emphasizing the refinement of skills in contemporary jazz dance. The course will deepen
conceptual understandings in various jazz styles, and will include elements of performance
and choreography. Prerequisite: Jazz I or permission of instructor. Grade only. May be
repeated once for credit.
This course previously existed in the
department of Physical Education and Recreation and is being transferred to the Department
of Theater and Dance. This proposed course is designed to satisfy the requirements in: Fine
and Performing Arts.
Department and contact person for this
course: Gretchen Cohenour, PAC 212; 457-5665
Email: gcohenour@winona.edu
This course
includes requirements and learning activities that promote students abilities to:
a. explore the
language, skills, and materials of an artistic discipline: Through the knowledge and
practice of advanced beginning jazz movements from various styles, the student will
experience jazz dance as a form of expression with its own vocabulary, technique, and
sense of purpose. Students will further
explore the vocabulary and technique of various jazz styles including Latin, Afro-Jazz,
Modern Jazz, and Theatrical. They will, in addition, be exposed to Blues and West Coast
styles of jazz dance. They will deepen their understanding of principles of alignment that
support jazz technique and will further develop body awareness through increasingly
complex phrases and warm-ups.
b. use methods
of an arts practitioner to actively engage in creative process or interpretive
performances: Students will create and perform an original jazz dance (maximum of 3
minutes) based on a jazz style researched and interpreted by the student. The dance, along
with an oral presentation and separate movement demonstration, will be performed for the
class as a final project. Students will also learn a complete jazz dance taught by the
instructor in one of the styles being investigated in class.
c. to
understand the cultural and gender contexts of artistic expression: Through video,
lecture and discussion, students will be further exposed to the history of jazz as a
hybrid American art form, and will appreciate the changing roles of men and women
throughout its evolution. Students will view jazz styles that are products of different
cultures and historical periods, providing a context for them to appreciate the roots of
the discipline to which they are being exposed.
d. engage in
reflective analysis of their own work or interpretive performance and respond to the work
of others: Students will view, discuss, and respond in written form to jazz dance
performed by professionals and experienced through video. Students will also reflect upon
and assess, in written form, their own creative process and product, as well as upon their
experience performing in a group dance choreographed by the instructor.
Course activities and assignments that address these Fine and
Performing Arts Requirements will be identified in the syllabus by letter (a), (b), (c),
(d)
A.
Student learners will
further develop an appreciation for styles of jazz dance including Latin, African-based,
Modern Jazz, American Theatrical Jazz, Blues, and West Coast Jazz Dance as both performer
and audience.(a,b,c,d).
B.
Student learners will
gain a deeper understanding of anatomical and
mechanical principles of movement that support jazz dance technique.(a)
C.
Student learners will
increase skill levels in performing advanced beginning jazz steps, isolations, jumps and
turns while building flexibility, strength, coordination, and body awareness. They will,
in addition, be introduced to multiple turns and more complex jumping phrases and become
more adept at reversing movement combinations. (a,b)
D.
Student learners will be
exposed to a wide range of jazz music from the 1900's to the present while further
exploring concepts of pulse, syncopation, polyrhythms and theme and variations.(a,c)
E.
Student learners will
become more fluent with jazz dance terminology and history in the context of tap, ballet
and modern dance styles.(a,c)
1.
Class consists of floor
work, center work and across the floor sequences. (a)
2.
As improvisation is a
cornerstone in the development of jazz technique, it will be used in class to deepen the
individual's response to music and movement phrasing. Student composition/creation of jazz
sequences and peer assessment of this creative work will also be integrated. (a,b,d)
3.
Jazz dance history will
be integrated into movement demonstrations and musical accompaniment. We will view and discuss jazz dance videotapes
representing diverse styles and applications of the form during the quarter.(a,c,d)
4.
Students will be taught
movement phrases that will build on one another throughout the course of the semester,
culminating in a final dance. (a,c)
5.
Students will be coached
in the collaborative creation of a group dance as well as in the creation of a solo work.
(a,b,d)
ASSESSMENT
: COURSE REQUIREMENTS AND EVALUATION (a,b,c,d)
65%
Class attendance and participation.(a,b,c,d)
15% Two written reports (typed 1-2 pages) describing dances witnessed at the WSU Senior Dance Recital performance (April 19, 7:30 pm) and at the Dancescape performance on (February 13-15, 7:30 pm) PAC Main Stage. (a,d)
20%
Creative Projects (one solo, one group) including research of a chosen style and
self-assessment of performance. Presentations will be given in class at Midterm and Final.
(a,b,d)
Dress
Students dance in movable clothing, barefoot
or with jazz shoes. No gum.
Research Ideas and possible topics for
Creative Projects
1. African Dance
2. Minstrel Shows
3. Vaudeville Shows
4. Pearl Primus
5. Katherine Dunham
6. Fred Astaire
7. Gene Kelly
8. Jerome Robbins
9. Gus Giordano
10.
Luigi (Eugene Louis Facciuto) 20th
century jazz-based social dance forms
11.
Jack Cole
Charleston
12.
Alvin Ailey
Lindy Hop
13.
Bob Fosse
Swing
14.
Hollywood Jazz
Rock and Roll
15.
Broadway Jazz
Sixties
16.
Daniel Nagrin
Disco
17.
Michael Kidd
Hip Hop
18.
Topic of Your Choice- approved by instructor
Rave etc.....
19.
Garth Fagan
20.
Danny Buraczeski
Note: Research should include watching a
video in the dancers style if possible.
Textbook
Kregel & Vaccaro. Jazz Dance Today. St. Paul, MN: West Publishers, 1994.
Mazo, Joseph. Jazz Danceology, Dance
Press, Marietta, Georgia, 1991.
Emery, Lynn Fauley. Black Dance in the U.S. from 1619 to 1970. Palo Alto, CA: National Press Books, 1972.
LaPointe-Crump, Janice. Discovering Jazz Dance: America's Energy and
Soul. Dubuque, IA: William Brown Communications, Inc., 1992.
Kraines, Minda. Jump Into Jazz. Mt. View, CA:
Mayfield, 1983.
Stearns, Marshall and Jean. Jazz Dance: The Story of American Vernacular
Dance. New York. NY: Schirmer Books, 1968.
B. Rationale
1.
Statement of the major focus and objectives of
the course.
See
above.
2.
Specify how this new course contributes to the
departmental curriculum.
It is required in the dance minor program, and will also serve as
a Fine Arts Core in the University Studies Program.
3. Indicate any course(s) which may be dropped
if this course is approved.
PER 228 Jazz Dance II
C. Impact
of this Course on other Departments, Programs, Majors, or Minors
1.
Does this course increase or decrease the
total credits required by a major or minor of any other department? If so, which department(s)?
No
2.
List the departments, if any, which have been
consulted about this proposal.
Department of
Physical Education and Recreation
Department of
Music
WINONA STATE UNIVERSITY
FINANCIAL AND STAFFING DATA SHEET
Course or Program__THAD 253 Jazz Dance I_
Include a Financial and Staffing Data Sheet with any proposal for
a new course, new program, or revised program.
Please answer the following questions completely. Provide supporting data.
1. Would
this course or program be taught with existing staff or with new or additional staff? If this course would be taught by adjunct faculty,
include a rationale.
This course will
be taught with existing staff, including adjunct faculty.
The Dance Minor program has one full-time faculty member and historically has
depended on adjunct faculty to meet the needs of the program. Although WSU is currently experiencing a hiring
freeze, the CLA dean has committed necessary adjunct money to maintain the Dance Minor
program.
2. What
impact would approval of this course/program have on current course offerings? Please discuss number of sections of current
offerings, dropping of courses, etc.
Since this class is currently being offered under a PER course
number, approval of this course in THAD will enable us to maintain the Dance Minor at its
current level and support the Fine Arts Requirement for the University Studies program.
When the PER Department revised its curriculum in Fall of 2002,
they decided to drop dance technique classes and their involvement in the shared Dance
Minor program, and offered these courses to the THAD Department.
The Jazz Dance II class is currently taught once a year, in spring
semester.
Since this course has existed in the Dance Minor program for years
as a PER course, transference of the course to the THAD Department will have no impact on
current offerings.
3. What
effect would approval of this course/program have on the department supplies? Include data to support expenditures for staffing,
equipment, supplies, instructional resources, etc.
Approval will
have no effect on department supplies. The
Department of Theatre and Dance within the College of Liberal Arts has supported the
administration of the Dance Minor program for years, and has provided equipment and
supplies. A portion of the full-time THAD
dance faculty members load has been dedicated to teaching PER dance classes, and CLA
has covered PER dance adjunct salaries. Bringing
the dance courses into the Department of Theatre and Dance will have a positive effect in
that there will be greater efficiency in the Dance Minor program being contained within
one department (THAD) and one college (Liberal Arts).