Approved by Faculty Senate March 17, 2003
WINONA STATE UNIVERSITY
PROPOSAL FOR NEW COURSES
Department _Theatre and Dance_____________________________
Date ____2/5/2003____________
______THAD 257________
____BALLET II _______________________
____2______
Course No.
Course Name
Credits
This proposal is for a(n)
___X__ Undergraduate Course
______ Graduate Course
Applies to:
______ Major
___X__ Minor
___X___ University Studies*
_____ Required
__X__ Required
_____ Elective
_____ Elective
Prerequisites
_______THAD 157 Ballet I or permission of instructor ______________________
Grading method ______
Grade only
______ P/NC only
___X__ Grade and P/NC Option
Frequency of offering __every
semester (2x/year)___
*For University Studies Program course approval, the form Proposal
for University Studies Courses must also be completed. submitted according to the
instructions on that form.
Provide the following information (attach materials to this
proposal):
A.
Course Description
1. Catalog
description.
2. Course outline of
the major topics and subtopics (minimum of two-level outline).
3. Basic
instructional plan and methods.
4. Course
requirements (papers, lab work, projects, etc.) and means of evaluation.
5. Course materials
(textbook(s), articles, etc.).
6. List of
references.
B.
Rationale
1. Statement of the
major focus and objectives of the course.
2. Specify how this
new course contributes to the departmental curriculum.
3. Indicate any
course(s) which may be dropped if this course is approved.
C.
Impact of this Course on other Departments, Programs, Majors, or Minors
1. Does this course
increase or decrease the total credits required by a major or minor of any other
department? If so, which department(s)?
2. List the
departments, if any, which have been consulted about this proposal.
D.
University Studies Course Proposals
The form Proposal for University Studies Course
must also be completed and submitted according to the instructions on that form.
Attach a Financial and Staffing Data Sheet.
Attach an Approval Form.
Department Contact Person for this Proposal:
___Gretchen Cohenour
_________________
___457-5665__
___gcohenour@winona.edu_____
Name (please print)
Phone
e-mail address
WINONA STATE UNIVERSITY
PROPOSAL FOR UNIVERSITY STUDIES COURSES
Department __Theatre and Dance___________________________
Date ___2/5/2003_____________
____THAD 257_________
_____BALLET II________________________
___2_________
Course No.
Course Name
Credits
This proposal is for a(n)
___X__ Undergraduate Course
Applies to: ______ Major
___X__ Minor
_____ Required
__X__ Required
_____ Elective
_____ Elective
University Studies (A course may be approved to satisfy only one set of outcomes.):
Course Requirements:
Basic Skills:
Arts & Science Core:
Unity and Diversity:
_____ 1. College Reading and Writing
_____ 1. Humanities
_____ 1. Critical Analysis
_____ 2. Oral Communication
_____ 2. Natural Science
_____ 2. Science and Social Policy
_____ 3. Mathematics
_____ 3. Social Science
_____ 3. a. Global Perspectives
_____ 4. Physical Development & Wellness
__X__ 4. Fine & Performing Arts
_____ b.
Multicultural Perspectives
_____ 4. a. Contemporary Citizenship
_____ b. Democratic
Institutions
Flagged Courses:
_____ 1. Writing
_____ 2. Oral Communication
_____ 3. a. Mathematics/Statistics
_____ b. Critical
Analysis
Prerequisites _____THAD 157 Ballet I or permission of instructor
Provide the following information (attach materials to this
proposal):
Please see Directions for the Department on previous page for material
to be submitted.
Attach a University Studies Approval Form.
Department Contact Person for this Proposal:
__Gretchen Cohenour___________________
__457-5665__
mailto:_gcohenour@winona.edu________
Name (please print)
Phone
e-mail address
WINONA STATE UNIVERSITY
PROPOSAL FOR UNIVERSITY STUDIES COURSE
DEPARTMENT: THEATER AND DANCE
DATE: JANUARY 28, 2003
COURSE NUMBER: THAD 257
COURSE TITLE: BALLET II
NUMBER OF CREDITS: 2
CATALOGUE DESCRIPTION: A continuation of Ballet I with more
extensive classical ballet technique, theory, and history.
The course will develop skills in choreography and performance. Prerequisite:
Ballet I or permission of the instructor. May
be repeated once for credit. Grade only.
This course previously existed in the department of Physical
Education and Recreation and is being transferred to the Department of Theater and
Dance.This proposed course is designed to satisfy the requirements in: Fine and
Performing Arts.
Department and contact person for this course: Gretchen
Cohenour, PAC 212; 457-5665
Email: gcohenour@winona.edu
This course includes requirements
and learning activities that promote students abilities to:
a. explore the language, skills, and
materials of an artistic discipline: Through the knowledge and practice of beginning
and advanced beginning level ballet movements, the student will become increasingly articulate, technically and artistically, in the
medium of ballet. They will become fluent in beginning ballet vocabulary (spoken and
executed) and deepen their knowledge of differing and evolving aesthetics within the art
form. They will more fully integrate principles of alignment, and will continue to deepen
their physical awareness through repetition of movements in tandem with guided imagery and
attention.
b. use methods of an arts
practitioner to actively engage in creative process or interpretive performances;
Students will have the experience of learning, rehearsing and performing in class an
original ballet choreographed by the instructor. Students will, in addition, create and
perform an original ballet sequence (up to 3 minutes in length) based on vocabulary and
aesthetics. Students will select an arrangement of movements in combination with music,
dress and underlying theme/motivation to create an artistic whole. The composition will be
performed for the class as a final project.
c. to understand the cultural and
gender contexts of artistic expression: Through video, lecture and discussion,
students will be exposed to the history of ballet and the changing roles of men and women
throughout its evolution. Students will view ballets that are products of different
cultures and historical periods, providing a context for them to appreciate the roots of
the discipline to which they are currently being exposed. They will, in addition, complete
a research paper on an important figure in the history and evolution of ballet.
d. engage in reflective analysis of
their own work or interpretive performance and respond to the work of others. Students
will view, discuss, and respond in written form to ballets experienced through video
and/or live professional performance. Students will also reflect upon and assess, in
written form, their own experience of learning and performing a ballet, and upon their own
creative process and product.
Course activities and assignments that address these Fine and
Performing Arts Requirements will be identified in the syllabus by letter (a), (b), (c),
(d)
COURSE OBJECTIVES
A.
The student will develop an appreciation for
the art of ballet as both performer and audience. (a,b, d)
B.
The student will gain a better understanding of
the anatomical and mechanical principles of movement as applied to ballet technique and
theory. (a)
C.
The student will further develop body
awareness, performance skills, musicality, coordination, flexibility, strength and
self-discipline. (a, b)
D.
The student will further develop knowledge of
the evolution and history of classical ballet as a theatrical dance form. (a,c)
E.
The student will further develop knowledge of
ballet terminology. (a)
Class consists of lecture demonstration,
pre-warm up, barre work, center work, and across the floor sequences. Videos of U.S. and European ballets will be
viewed, discussed, and critiqued. Video will
also be used to record student progress and provide feedback on technique and expression
as well as for documenting student progress.
Course
Outline
I. Class Structure will include: (a)
A.
Pre-warm up
B.
Barre work
1.
Continued emphasis on proper alignment
2.
Further development of turn-out, five positions of the feet, port de bras,
demi-plie, grand plie, tendu, degage, releve, rond de jambe a terre, frappe, developpe,
grand battement, stretches. In addition students will be introduced to: rond de jambe en
I'air , fondu, double frappe.
C.
Center floor work
1.
Performance technique
2.
Port de bras, positions of the head, tendu, epaulement, body positions, arabesque
3.
In addition students will learn: adagio combinations, single pirouette turns (en
dehors, en dedans), chaine turns, attitude derriere, attitude devant
D.
Allegro and grand allegro work
1.
Jumps including temps leve, saute,
soubresaut, glissade, sissone
2. Locomotor movement across the floor including balance, pas de bourree, pas de chat, pas de basque
E.
Reverence/cool down
II.
Additional Learning Experiences: (a,c, d)
a.
Viewing and discussing films of contemporary
and traditional ballets by U.S. and European Companies
b.
Defining classical ballet through its history
and evolution as an art form.
c.
Exploring issues and divergent styles currently
emerging in ballet.
d.
Creating an original ballet composition
ASSESSMENT : COURSE
REQUIREMENTS AND EVALUATION (a,b,d)
Students dance in ballet shoes, leotard
and tights with hair pinned off of face and neck.
a.
50% attendance and participation (a,b,c,d)
b.
10% 2-3 page research paper on an important
ballet choreographer due by mid-term (c)
c.
10% 1-2 page video response paper to live
ballet performance or video (located in Media Center) (d,c)
d.
10% exam on ballet terminology (a)
e.
20% original ballet composition (up to 3
minutes) done in class, assessed by self and class (a,b,d)
Hammond, Sandra Noll. Ballet: Beyond
the Basics. Third Edition. Mayfield 1993.
Grieg, Valerie. Inside Ballet
Technique. Schrimer Books, NY, 1996.
Anderson, Jack. Ballet and Modern
Dance, A Concise History. Princeton, NJ: Princeton Book Company, 1986.
Kersley and Sinclair. A Dictionary of
Ballet Terms. New York, NY: Da Capo Press, Inc., 1981.
Paskevska, Anna. Both Sides of the
Mirror; The Science and Art of Ballet. New York, NY: Dance Horizons, 1981.
B.
Rationale
1.
Statement of the major focus and objectives
of the course.
See above.
2.
Specify how this new course contributes to
the departmental curriculum.
It is required in the dance minor program, and will also serve as
a Fine Arts Core in the University Studies Program.
3. Indicate any
course(s) which may be dropped if this course is approved.
PER 227 Ballet II
C.
Impact of this Course on other Departments, Programs, Majors, or Minors
1.
Does this course increase or decrease the
total credits required by a major or minor of any other department? If so, which department(s)?
No
2.
List the departments, if any, which have been
consulted about this proposal.
Department
of Physical Education and Recreation
WINONA STATE UNIVERSITY
FINANCIAL AND STAFFING DATA SHEET
Course or Program__THAD 257 Ballet II_
Include a Financial and Staffing Data Sheet with any proposal for
a new course, new program, or revised program.
Please answer the following questions completely. Provide supporting data.
1. Would
this course or program be taught with existing staff or with new or additional staff? If this course would be taught by adjunct faculty,
include a rationale.
This course will
be taught with existing staff, including adjunct faculty.
The Dance Minor program has one full-time faculty member and historically has
depended on adjunct faculty to meet the needs of the program. Although WSU is currently experiencing a hiring
freeze, the CLA dean has committed necessary adjunct money to maintain the Dance Minor
program.
NOTE: Ballet II, III, IV are taught concurrently in a
mixed level class, requiring only 2 FTEs.
2. What
impact would approval of this course/program have on current course offerings? Please discuss number of sections of current
offerings, dropping of courses, etc.
Since this class is currently being offered under a PER course
number, approval of this course in THAD will enable us to maintain the Dance Minor at its
current level and support the Fine Arts Requirement for the University Studies program.
When the PER Department revised its curriculum in Fall of 2002,
they decided to drop dance technique classes and their involvement in the shared Dance
Minor program, and offered these courses to the THAD Department.
The Ballet II class is taught once each semester.
Since this course has existed in the Dance Minor program for years
as a PER course, transference of the course to the THAD Department will have no impact on
current offerings.
3. What
effect would approval of this course/program have on the department supplies? Include data to support expenditures for staffing,
equipment, supplies, instructional resources, etc.
Approval will
have no effect on department supplies. The
Department of Theatre and Dance within the College of Liberal Arts has supported the
administration of the Dance Minor program for years, and has provided equipment and
supplies. A portion of the full-time THAD
dance faculty members load has been dedicated to teaching PER dance classes, and CLA
has covered PER dance adjunct salaries. Bringing
the dance courses into the Department of Theatre and Dance will have a positive effect in
that there will be greater efficiency in the Dance Minor program being contained within
one department (THAD) and one college (Liberal Arts).